The Art of Mushfake (or Invisibility)

Later on in my academic career (and by later on I mean NOW),
I would learn that I had to stop depending on the “three long quote, five short
quote” structure my papers and writing had come to adopt if I even hoped to
make it as a doctoral student, let alone a published author in a peer-reviewed
academic journal. My writing and academic
identity had to be transformed. I could
no longer rely on the ideas, theories, and philosophies of others nestled
comfortably between quotation marks. My “original”
ideas could no longer be hidden among citations. NOW to be accepted into the world of
mainstream academia, my scholarship had to be entirely my own – I had to become
the citation – and the credible sources I was taught to cite/acknowledge as a
K-12 student were now supposed to be supporting actors in my work. The credibility of my work/academic writing
no longer depends on how many sources I could cite, or authors/theorists I could
quote as it once did, but on the merit of my creative genius.
Obviously this kind of pressure did not exist for me as an
elementary school or even middle school student – at this stage in life these were
the days of simple sentences, anagram poems, book reports, and grammar lessons. These typical lessons/activities, even if marketed
to students as wholly creative under the guise of an art project (i.e., not in
the form of a textbook or worksheet), were still structured, formatted, and
pieced together to limit the true potential of the student’s creative genius. I think the point I am trying to make is that
all of these ideas are an assemblage of something else from somewhere else -- from
the lesson plan to the final product – from the idea to the format and example,
to the implementation and the outcome – it’s ALL a sample of something that
came before it – an assemblage or collage of words, ideas, and material.

At this point, it seems as though I have reached an impasse –
one in which I am trapped in the ouroboros, realizing that even
this piece is a reassembly of ideas/theories, making it a part of the very cycle
about which I am trying to think critically, but from which I am bred.
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Beware the Ouroboros! |
Turns out it does not have to be a ditto to be a copy…or
mushfake!
"I think the point I am trying to make is that all of these ideas are an assemblage of something else from somewhere else -- from the lesson plan to the final product – from the idea to the format and example, to the implementation and the outcome – it’s ALL a sample of something that came before it – an assemblage or collage of words, ideas, and material."
ReplyDeleteThat's the exact same thing I keep coming back to also. To varying degrees, it's all assemblage.
"he philosophies and identities I have written for myself in many of life’s forums have been and continue to be assemblage and mushfake – the ineffectual reassembly/simulation of ideas, words, material a.k.a knowledge to situate ourselves and construct our identities in the performance piece that is academia, mainstream society, marriage, motherhood, and ultimately life"
Me too. I'm torn between feeling like a failure for this and wanting to define my own various forms of mushfaking *as* my identity and wanting to say that it's no less valid an identity as any other (as all others are mushfaked from other discourses and identities, too). Or maybe I just want to rail against "authentic identity" and because I don't have one and rail again "originality" because I don't have much of that, either.
Endless cycle, indeed.